Erica Synths Dual FX
To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.
To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.
Der Pico DSP ist eine verschlankte Variante des beliebten Stereo-Effektprozessors Black Hole DSP. Das Modul bietet acht Algorithmen, im Einzelnen vier verschiedene Echos, zwei Hall-Varianten, Leslie und Overdrive / Bitcrusher. Jeder Effekt lässt sich in zwei Parametern editieren, für Modulationen gibt es einen CV-Eingang. Der Klang des Pico DSPs ist gewohnt sauber und hochauflösend, neben gängigen Standards lassen sich auch allerhand abgefahrene Spezialeffekte kreieren.
Similar as Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube.
The Mutant Hot Glue is a versatile bus mixer for analog effects chain design. The included analog compressor offers series or parallel compression and a sidechain input, making it particularly well suited to drum processing. The voltage controlled distortion is based on ideas borrowed from the guitar pedals responsible for a lot of yesterday’s acid style techno sounds, but improved over the guitar equivalents, and made specifically for synthesizer and drum processing. The distortion can be used in its default position, normalized to the effects send, or like every other part of the module, broken out and used elsewhere in your modular system.
Bifold is a unique dual channel wavefolder with numerous feedback and routing options along with CV control. Mix, blend and crossfade the two different folder flavours into a rich stew of unique waveforms and harmonic movement. It is the first wavefolder to offer simultaneous, independently controllable serial and parallel folder circuits.
Intellijels Rainmaker ist ein Spezialist für rhythmische Echos und Kammfilter- / Resonator-Effekte, sein Funktionsumfang geht deutlich über die Möglichkeiten klassischer Delay-Module hinaus.
Our design goal for Sealegs was to create the warmest, most musical and organic delay module possible — something that would sweeten and enhance any audio one chose to feed into it. As such, great care has gone into modeling the most distinctive and desirable sonic characteristics of three different types of delay circuits: Tape; Bucket Brigade, and Crossfading Digital.
Eurorack is a synthesist’s toy chest. Stompboxes are a guitarist’s toy chest. Each industry offers a seemingly infinite variety of products that enable musicians to build systems unique to their needs and to create a signature sound. Each is also somewhat addictive. Rare is the musician who doesn’t eventually need a larger toy chest to house the accumulated toys.
Delay 1 is a fully analogue BBD-based delay module with a multitude of features geared towards modern musical use. An integrated temperature-compensated, high-frequency voltage controlled oscillator (VCO) provides the ‘clock’ signal necessary to drive the delay line within 1 to 50 ms.
Moving from mono to stereo sound: a logical progression for any synthesist looking to expand their sonic palette. Making use of two audio channels, rather than just one, quite literally adds another dimension to the capabilities of a synthesiser.
Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.
The Mimeophon music synthesizer module is a stereo, multi-zone color audio repeater by Make Noise and soundhack, coded by Tom Erbe.
Experimenteller Sampler – Morphagene kombiniert virtuelle Tonbänder nebst klassischen Schnitttechniken mit modernen Granular-Algorithmen, um Sound zu prozessieren. Klänge und Geräusche lassen sich mit wenigen Handgriffen aufnehmen, zerteilen, schichten und neu arrangieren.