You have that kick drum ready to trigger and your sequencer is all set; OR do you want to trigger it with that big shiny button? OR with that random source? You get the idea. Dual Logic OR Gates.

FSU brings some more aggressive and destructive processing to the FX lineup from guitar pedal inspired distortion to granular processing to tape recorder style Sound on Sound looping.

The ECHOZ collection of 24 different types of delay effects encompasses a rich variety that spanning some of the most sought after time based effects of all times as well as more experimental options as well.

Mojave is a granular sandstorm. Drawing its inspiration from vast swaths of desert in the American Southwest, Mojave is a live granular processor that uses microscopic bits of audio to create beautifully crafted sonic landscapes.

Erica Synths Black LPG is our take on Lowpass Gate idea – it’s designed from scratch featuring 2nd order lowpass VCF (the original Buchla lowpass gate was 1st order VCF) and VCA combo with distinct resonance circuit on top.

The Erica Synths Black K-Phaser is our take on a classical, genre defining FX unit – the Krautrock Phaser.

Eurorack is a synthesist’s toy chest. Stompboxes are a guitarist’s toy chest. Each industry offers a seemingly infinite variety of products that enable musicians to build systems unique to their needs and to create a signature sound. Each is also somewhat addictive. Rare is the musician who doesn’t eventually need a larger toy chest to house the accumulated toys.

Experimenteller Sampler – Morphagene kombiniert virtuelle Tonbänder nebst klassischen Schnitttechniken mit modernen Granular-Algorithmen, um Sound zu prozessieren. Klänge und Geräusche lassen sich mit wenigen Handgriffen aufnehmen, zerteilen, schichten und neu arrangieren. 

Similar as Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube.

Moving from mono to stereo sound: a logical progression for any synthesist looking to expand their sonic palette. Making use of two audio channels, rather than just one, quite literally adds another dimension to the capabilities of a synthesiser.