Sequential OB-6

    Sequential OB-6


    The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.
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    Two Legends. One Instrument

    The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.
    Vintage SEM Tone

    The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.
    Dual Effects

    The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.
    X-Mod and Poly Step Sequencing

    Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.
    Easy to Program

    The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.
    Easy to Play

    This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.

    OSCILLATORS

        Two discrete VCOs per voice
        Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator
        Pulse width per oscillator
        Hard sync: oscillator 1 syncs to oscillator 2
        Square wave sub-octave generator (oscillator 1) per voice
        Low frequency mode (oscillator 2)
        Keyboard tracking on/off (oscillator 2)
        Oscillator detune amount for increased tuning instability, from subtle to extreme

    MIXER

        Oscillator 1 amount
        Oscillator 1 sub-octave amount
        Oscillator 2 amount
        White noise amount

    STATE-VARIABLE FILTER

        Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter
        Bi-polar filter envelope amount
        Velocity modulation of envelope amount
        Keyboard tracking: off, half, full

    FILTER ENVELOPE

        Four-stage (ADSR) envelope generator
        Velocity modulation of envelope amount

    AMPLIFIER ENVELOPE

        Four-stage (ADSR) envelope generator
        Velocity modulation of envelope amount

    LOW FREQUENCY OSCILLATOR

        Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
        Clock sync (internal or external MIDI clock)
        Initial amount
        Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode

    X-MOD

        Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar)
        Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode

    AFTERTOUCH

        Source: channel (mono) aftertouch with bi-polar amount
        Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount

    CLOCK

        Master clock with tap tempo
        BPM control and display
        MIDI clock sync

    ARPEGGIATOR

        Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note
        One, two, or three octave range
        Up, down, up/down, random, and assign modes

    SEQUENCER

        Polyphonic step sequencer with up to 64 steps and rests

    EFFECTS

        Stereo analog distortion
        Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, flanger, phase shifters, and ring modulator
        Delay sync
        True bypass maintains fully analog signal path when digital effects are off

    PERFORMANCE CONTROLS

        Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch
        Backlit pitch and mod wheels
        Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)
        Transpose controls for an 8-octave range
        Hold switch latches held notes on
        Polyphonic portamento
        Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes
        Manual switch: when off, the front panel is live; what you see is what you hear

    PATCH MEMORY

        500 user and 500 factory programs in 10 banks of 100 programs each
        Direct program access, including single-button access to the current set of 10 programs

    IN/OUT

        Left/mono and right audio outputs (2 x 1/4” phone jack)
        Headphone output (stereo, 1/4” phone jack)
        MIDI in, out, and thru ports
        USB for bidirectional MIDI communication
        Filter cutoff expression pedal input
        Volume expression pedal input
        Sustain footswitch input
        Sequencer start/stop footswitch input

    POWER

        IEC AC power inlet for internal power supply
        Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption

    PHYSICAL SPECS

        32” L x 12.7” W x 4.6″ H (81.3 cm x 32.3 cm x 11.7 cm)
        10 lbs (9.5 kg)

    Walnut end panels and trim

    SKU-1928

    Technische Daten

    Farbe
    schwarz
    Lieferfrist
    Sofort lieferbar
    Lautsprecher (Wege)
    2-Wege

    Besondere Bestellnummern

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