Two Legends. One Instrument

The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature.
Vintage SEM Tone

The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path.
Dual Effects

The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.
X-Mod and Poly Step Sequencing

Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes.
Easy to Program

The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear.
Easy to Play

This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio.

OSCILLATORS

    Two discrete VCOs per voice
    Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator
    Pulse width per oscillator
    Hard sync: oscillator 1 syncs to oscillator 2
    Square wave sub-octave generator (oscillator 1) per voice
    Low frequency mode (oscillator 2)
    Keyboard tracking on/off (oscillator 2)
    Oscillator detune amount for increased tuning instability, from subtle to extreme

MIXER

    Oscillator 1 amount
    Oscillator 1 sub-octave amount
    Oscillator 2 amount
    White noise amount

STATE-VARIABLE FILTER

    Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter
    Bi-polar filter envelope amount
    Velocity modulation of envelope amount
    Keyboard tracking: off, half, full

FILTER ENVELOPE

    Four-stage (ADSR) envelope generator
    Velocity modulation of envelope amount

AMPLIFIER ENVELOPE

    Four-stage (ADSR) envelope generator
    Velocity modulation of envelope amount

LOW FREQUENCY OSCILLATOR

    Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
    Clock sync (internal or external MIDI clock)
    Initial amount
    Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode

X-MOD

    Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar)
    Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode

AFTERTOUCH

    Source: channel (mono) aftertouch with bi-polar amount
    Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount

CLOCK

    Master clock with tap tempo
    BPM control and display
    MIDI clock sync

ARPEGGIATOR

    Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note
    One, two, or three octave range
    Up, down, up/down, random, and assign modes

SEQUENCER

    Polyphonic step sequencer with up to 64 steps and rests

EFFECTS

    Stereo analog distortion
    Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, flanger, phase shifters, and ring modulator
    Delay sync
    True bypass maintains fully analog signal path when digital effects are off

PERFORMANCE CONTROLS

    Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch
    Backlit pitch and mod wheels
    Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)
    Transpose controls for an 8-octave range
    Hold switch latches held notes on
    Polyphonic portamento
    Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes
    Manual switch: when off, the front panel is live; what you see is what you hear

PATCH MEMORY

    500 user and 500 factory programs in 10 banks of 100 programs each
    Direct program access, including single-button access to the current set of 10 programs

IN/OUT

    Left/mono and right audio outputs (2 x 1/4” phone jack)
    Headphone output (stereo, 1/4” phone jack)
    MIDI in, out, and thru ports
    USB for bidirectional MIDI communication
    Filter cutoff expression pedal input
    Volume expression pedal input
    Sustain footswitch input
    Sequencer start/stop footswitch input

POWER

    IEC AC power inlet for internal power supply
    Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption

PHYSICAL SPECS

    32” L x 12.7” W x 4.6″ H (81.3 cm x 32.3 cm x 11.7 cm)
    10 lbs (9.5 kg)

Walnut end panels and trim