Erica Synths Black Mute Mixer
Erica Synths Black Mute Mixer is a compact, high quality audio mixer with bonus features – mute switch on each input and three buffered outputs.
Erica Synths Black Mute Mixer is a compact, high quality audio mixer with bonus features – mute switch on each input and three buffered outputs.
Erica Synths Black Output is a high quality output mixer and a stereo panner with balanced outputs and headphone amplifier for monitoring your modular masterpieces.
Created by Erica Synths & Richie Hawtin, Bullfrog is an educational electronic music instrument designed to captivate and inspire both youth and professionals alike. Bullfrog invites you to unlock musicality while combining the thrill of electronic music production with a comprehensive learning experience.
Bullfrog invites you to unlock your musicality while combining the thrill of electronic music production with a comprehensive learning experience. Bullfrog XL is designed specifically for teachers to use in front of the classroom and it expands the concept of the regular Bullfrog by inflating its size by a factor of 3 (literally!).
The Erica Synths Matrix Mixer is a 16 – input, 16 - output desktop patch matrix – it can route and mix signals with high precision, create buffered multiples and random patches. It can also interface external instruments with your Eurorack system, and – it’s not limited to Eurorack!
Erica Synths Techno System is the ultimate tool for rhythm based music production, live performances and sound design. The drum modules are internally patched to the sequencer, so they receive trigger and accent signals even without patching relevant patch cables therefore allowing you to fully focus on the audio signal patching. With a bit of imagination you’ll find that it’s not limited to specific music genres — it just depends on your creativity in patching and settings of modules. The potential is unlimited!
The Mutant Hot Glue is a versatile bus mixer for analog effects chain design. The included analog compressor offers series or parallel compression and a sidechain input, making it particularly well suited to drum processing. The voltage controlled distortion is based on ideas borrowed from the guitar pedals responsible for a lot of yesterday’s acid style techno sounds, but improved over the guitar equivalents, and made specifically for synthesizer and drum processing. The distortion can be used in its default position, normalized to the effects send, or like every other part of the module, broken out and used elsewhere in your modular system.