alter.audio Timetosser
Timetosser is the first of its kind. An innovative hybrid between an audio effect and an electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.
Timetosser is the first of its kind. An innovative hybrid between an audio effect and an electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.
Hydrasynth Deluxe ist DAS neue Flaggschiff von ASM: sein Dual-Engine-Setup mit insgesamt 16 Stimmen und die neue 6-Oktaven PolyTouch® Tastatur mit polyphonem Aftertouch machen ihn zum absoluten Dream-Synth für Musiker, Performer und Sound Designer.
Die Desktop-Variante des HYDRASYNTH verzichtet auf eine Tastatur, besitzt dafür jedoch 24 druck- und angschlagsempfindliche Pads welche ebenfalls vollpolyphonen Aftertouch ermöglichen und diverse Layouts und Scales bieten.
In einem kompakten und tragbaren Gehäuse (bei Bedarf sogar batteriebetrieben), bietet Hydrasynth Explorer die 8-stimmige Klangerzeugung vom Hydrasynth Keyboard und Desktop.
Beebo is a pedal that gives you the power of a modular synth in an easy to use touch screen format. If you want great live tools, to push the boundaries of sound design, capture real spaces or simulate a sitar, it's all possible.
Beebo is a pedal that gives you the power of a modular synth in an easy to use touch screen format. If you want great live tools, to push the boundaries of sound design, capture real spaces or simulate a sitar, it's all possible.
6 in 8 out, all CV & audio capable plus MIDI IO. 30 hp.
It currently contains 97 different modules. if you want effects, the phasers, flangers, bitmangle, freeze, granular, filters, powerful LFOs, time stretch, turntable stop, step sequencer, twist delay, VCA, wavefolder, quantiser, attenuverter and more will cover it.There’s some very powerful modules including a granular texture synthesiser, a 16 model macro oscillator voice and a meta modulator with 7 blendable signal combining algorithms including ring modulation, comparators and cross folding.
Verbs answers an age old question. Would your guitar (or synth) sound good in the Pantheon of Rome? Or a nuclear reactor hall, a cave, a neolithic tomb, the London Palladium? The answer is yes