The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.

The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.

Arguably the coolest and most unique device in the Empirical Labs arsenal, the FATSO (Full Analog Tape Simulator and Optimizer) is a digitally controlled analog device that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.

In today’s modern age of digital recorders, DAWs and software plug-ins, Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.

As with ELI’s other signal processors, the Lil FrEQ Equalizer takes a somewhat unique approach to its job. Instead of daisy chaining several equalizers and frequency processors, we combined most of the sound sculpting tools an engineer needs into a compact single rack space box, while still offering the highest performance of any design in its class.

Novation FLkey 37: Verbinde dich mit deiner Musik

Das ultimative MIDI-Controller-Keyboard für FL Studio.

FLkey 49 ist das ultimative MIDI-Controller-Keyboard im Vollformat für die vollständige, anfassbare Musikproduktion in FL Studio. Mit Bedienelementen für Sequenzer, Channel Rack und Mixer von FL Studio sowie kreativen Skalen- und Akkord-Modi kannst du mit FLkey 49 frei spielen und mehr aus deiner Musik herausholen.

FLkey 61 ist das ultimative MIDI-Controller-Keyboard im Vollformat für die vollständige, anfassbare Musikproduktion in FL Studio. Mit Bedienelementen für Sequenzer, Channel Rack und Mixer von FL Studio sowie kreativen Skalen- und Akkordmodi kannst du mit FLkey 61 frei spielen und mehr aus deiner Musik herausholen.

Novation FLkey Mini: Verbinde dich mit deiner Musik

Das ultimative kompakte MIDI-Controller-Keyboard für FL Studio.

Mit Launchkey 25, dem inspirierenden MIDI-Controller-Keyboard von Novation, übernimmst du die Kontrolle über jedes Musik-Setup. Mit Ableton Live spielen, kreieren und externe MIDI-Geräte anschließen. Die Skalen- und Akkordmodi erweitern dein musikalisches Vokabular. Anschlagsdynamische Pads und Tasten bieten dir dabei die nötige ausdrucksstarke Kontrolle.