The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.

The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.

Arguably the coolest and most unique device in the Empirical Labs arsenal, the FATSO (Full Analog Tape Simulator and Optimizer) is a digitally controlled analog device that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.

In today’s modern age of digital recorders, DAWs and software plug-ins, Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.

As with ELI’s other signal processors, the Lil FrEQ Equalizer takes a somewhat unique approach to its job. Instead of daisy chaining several equalizers and frequency processors, we combined most of the sound sculpting tools an engineer needs into a compact single rack space box, while still offering the highest performance of any design in its class.

Expressive E, in collaboration with Haken Audio, releases Osmose, the new standard for musical expressivity. This standalone polyphonic synthesizer unlocks new ways to control sound with familiar gestures (press, bend, shake, & more). It features a deep sound-design engine and hundreds of ready-to-use, innovative presets. It also functions as a powerful controller for hardware & software synthesizers.

Touché ist ein neuartiges Instrument, das Ihnen eine ganz neue, innovativ-taktile Herangehensweise an das Spielen mit Ihren Hard- und Softwaresynthesizern eröffnet. Durch einfache oder komplexe Berührungen und Gesten auf der Echtholz-Oberfläche von Touché gestalten Sie Ihren Sound mit einer unmittelbar-körperlichen Qualität, wie man sie sonst nur vom Spielen an akustischen Instrumenten kennt. Touché kontrolliert Ihre Synthesizer dabei über vier Bewegungsdimensionen, die wir Shiftings nennen.

Touché SE shares the same build quality, patented mechanism and sound library as the classic Touché, refined with USB-only connectivity for software applications, and a new polycarbonate touch-plate. Expressive-E have expanded the sound library to include more than 200 factory sounds, pre-mapped to take full advantage of Touché SE's extensive control capabilities, as well as including more than 200 presets for third-party VST instruments.

Unverfälscht klingendes Audio-Interface mit zehn Ein- und vier Ausgängen für Recording-Künstler.

Vielseitiges und klangtreues 18-In/8-Out-Audio-Interface für Kreativschaffende.

Leistungsstarkes Audio-Interface in Studioqualität mit 18 Ein- und 20 Ausgängen für etablierte Produzenten.

In einem Rack-fähigen Gehäuse mit 1HE verfügt die dritte Generation des 18i20 über umfassende simultan nutzbare Ein- und Ausgänge mit insgesamt acht Mikrofon-Vorverstärkern, 18 Eingängen und 20 Ausgängen. Das nächste Level für dein Studio erreichst du mit dem 18i20, das überragende Soundqualität, Talkback-Funktionalität und integrierte Lautsprecherschaltung bietet. Die verbesserte A-D- und D-A-Wandlung garantiert einen klaren und nuancierten Klang deiner Aufnahmen und Playbacks mit bis zu 24 Bit/192 kHz und hilft dir, deinem Mix den perfekten Feinschliff zu verpassen.

Das Scarlett 18i8 der dritten Generation ist das perfekte Audio-Interface für Toningenieure und Produzenten, die sich ortsunabhängig an ihre Aufnahmeumgebung anpassen müssen.

Das originale Audio-Interface mit zwei Ein- und Ausgängen in Studioqualität, neu gemastert für alle Künstler*innen.

Das komplette Studio für Künstler*innen.