Similar as Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube.

The Make Noise/soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touché, but it takes a physical form more resembling the classic analog dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.

Noise Plethora is a multitimbral noise monster in 14HP.

Inspire new growth in your musical garden with Bloom, a fractal sequencer capable of generating infinitely evolving melodies.

A deep and flexible semi-modular mono synth, it was developed by a team of veteran synth aficionados to be the realization of their collective dream. It is a synthesist’s synthesizer — a well-considered, finely-honed, stand-alone instrument capable of both nuance and bombast. You are never more than a slider away from turning sweet into raucous, or a patch cable removed from corrupting the virtuous into the wicked.

The latest brainchild of synth pioneer Dave Rossum, TRITON (formerly known as TRIDENT) is a 100% analog, triple oscillator module that opens up a universe of dynamic timbral textures.

In everyday usage, 'chaos' means 'disorder, 'randomness'. In mathematics however, chaos has a very specific meaning. Chaos theory deals with systems exhibiting highly irregular behaviour, seemingly random yet completely deterministic.

Applying this to the world of modular synths opens up a whole new world of modulation opportunities, introducing a natural irregularity to otherwise purely ‘mechanical’ music, yet with much more control and repeatability than just simple randomness.

Das Modul A-117-2 beinhaltet einem digitalen, spannungsgesteuerten Rauschgenerator (engl. digital noise generator). Dieser erzeugt zufällige Abfolgen von Rechtecksignalen, deren Häufigkeit von vereinzelten "Knacksern" bis hin zu Rauschen einstellbar ist.

Kompakter und doch gut zu bedienender, satt klingender Wavetable-Oszillator, der mit 16 Wavetables á 16 Wellenformen, Bitratenreduktion und einem tollen dreistufigen Suboszillator ausgestattet ist. 

Exotischer Analogoszillator – Der A-110-6 nutzt einen Quadratur-Trapezoid-Kern, um Signale zu generieren. Waveshaper leiten weitere Schwingungen ab. Insgesamt lassen sich fünf Wellenformen vom Modul abgreifen. – In normaler und um 90 Grad versetzter Phasenlage. Für Stimmungsanpassungen, Spiel und Modulationen stehen zwei Steuereinheiten (exponentiell / linear) bereit. Ein Niederfrequenzmodus erlaubt den Einsatz als LFO. Dank Thru-Zero-Schaltungsdesign liefert der A-110-6 kräftige FM-Sounds. In Verbindung mit den phasenverschobenen Ausgängen lassen sich allerhand abgefahrene Klangspektren schaffen.

Erica Synths Graphic VCO ist ein Oszillator Modul, welches neben internen Wellenformen auch die Möglichkeit bietet, eigene Wellenformen über die Wavetable Matrix zu erzeugen.

Noise Plethora is a multitimbral noise monster in 14HP.