alter.audio Timetosser
Timetosser is the first of its kind. An innovative hybrid between an audio effect and an electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.
Timetosser is the first of its kind. An innovative hybrid between an audio effect and an electronic musical instrument, enabling you to playfully reorder any audio signal in real-time.
ChiliCases 6U/104HP Eurorack Case im Look des legendären System 100m Modularsynthesizer aus den 1970iger Jahren. Das Case besteht aus 2mm pulverbeschichtetem Aluminiumblech, schwarz eloxierten 19“ Trägerprofilen bestückt mit M3 Gewindestreifen und geölten Seitenteilen aus massiver Wenge. Das Case ist mit dem ChiliCases 70W low noise power supply unit (PSU) welches 2.5A @-12V, 2.5A @+12V und 2A @+5V, sowie 2 Busboards mit je 18 Anschlüssen pro Board, ausgestattet.
The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.
The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.
Arguably the coolest and most unique device in the Empirical Labs arsenal, the FATSO (Full Analog Tape Simulator and Optimizer) is a digitally controlled analog device that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.
In today’s modern age of digital recorders, DAWs and software plug-ins, Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.
As with ELI’s other signal processors, the Lil FrEQ Equalizer takes a somewhat unique approach to its job. Instead of daisy chaining several equalizers and frequency processors, we combined most of the sound sculpting tools an engineer needs into a compact single rack space box, while still offering the highest performance of any design in its class.
Unverfälscht klingendes Audio-Interface mit zehn Ein- und vier Ausgängen für Recording-Künstler.
Vielseitiges und klangtreues 18-In/8-Out-Audio-Interface für Kreativschaffende.
Leistungsstarkes Audio-Interface in Studioqualität mit 18 Ein- und 20 Ausgängen für etablierte Produzenten.
In einem Rack-fähigen Gehäuse mit 1HE verfügt die dritte Generation des 18i20 über umfassende simultan nutzbare Ein- und Ausgänge mit insgesamt acht Mikrofon-Vorverstärkern, 18 Eingängen und 20 Ausgängen. Das nächste Level für dein Studio erreichst du mit dem 18i20, das überragende Soundqualität, Talkback-Funktionalität und integrierte Lautsprecherschaltung bietet. Die verbesserte A-D- und D-A-Wandlung garantiert einen klaren und nuancierten Klang deiner Aufnahmen und Playbacks mit bis zu 24 Bit/192 kHz und hilft dir, deinem Mix den perfekten Feinschliff zu verpassen.
Das Scarlett 18i8 der dritten Generation ist das perfekte Audio-Interface für Toningenieure und Produzenten, die sich ortsunabhängig an ihre Aufnahmeumgebung anpassen müssen.
Das originale Audio-Interface mit zwei Ein- und Ausgängen in Studioqualität, neu gemastert für alle Künstler*innen.
Das originale Audio-Interface für Musiker*innen, überarbeitet für all deine Instrumente.