They are ideal for use with modular synthesizers and sound modules.

They are ideal for use with modular synthesizers and sound modules.

They are ideal for use with modular synthesizers and sound modules.

They are ideal for use with modular synthesizers and sound modules.

To any new modular system owner, the need to easily combine different voltage sources quickly becomes apparent. While a mixer is the obvious solution, these modules are not suitable for adding precise pitch control voltages (CVs) since the channel gains can not be set exactly to unity.

An indispensable utility module, Bias 2 provides a compact yet precise solution to quickly interface signals between modules within a Eurorack modular system, without interrupting your creativity.

Compare 2 besteht aus zwei Fensterkomparatoren, die eingehende Spannungen mit flexibel verschiebbaren Minimal- und Maximalwerten vergleichen.

For decades, the voltage controlled slew limiter has been a staple of modular synthesisers. With its extreme versatility, it can be used to slew control voltages (CVs), create envelopes, as a low-frequency or audio oscillator and much more.

Today, Contour 1 brings a fresh approach to this classic circuit. It delivers much improved performance and control by incorporating modern design techniques.

Delay 1 is a fully analogue BBD-based delay module with a multitude of features geared towards modern musical use. An integrated temperature-compensated, high-frequency voltage controlled oscillator (VCO) provides the ‘clock’ signal necessary to drive the delay line within 1 to 50 ms.

Moving from mono to stereo sound: a logical progression for any synthesist looking to expand their sonic palette. Making use of two audio channels, rather than just one, quite literally adds another dimension to the capabilities of a synthesiser.

Filter 8 ist eine voll spannungssteuerbare OTA-Multimode-Schaltung, die man auch als Acht-Phasen-Sinusoszillator, VC-LFO oder Percussion-Stimme verwenden kann.

Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.

'Multiples' are the classic solution to a common problem in modular synthesisers: how to distribute one output signal to multiple inputs. Simple passive multiples consist of several sockets, wired together.