The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.

The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.

Arguably the coolest and most unique device in the Empirical Labs arsenal, the FATSO (Full Analog Tape Simulator and Optimizer) is a digitally controlled analog device that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.

In today’s modern age of digital recorders, DAWs and software plug-ins, Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.

As with ELI’s other signal processors, the Lil FrEQ Equalizer takes a somewhat unique approach to its job. Instead of daisy chaining several equalizers and frequency processors, we combined most of the sound sculpting tools an engineer needs into a compact single rack space box, while still offering the highest performance of any design in its class.

Beebo is a pedal that gives you the power of a modular synth in an easy to use touch screen format. If you want great live tools, to push the boundaries of sound design, capture real spaces or simulate a sitar, it's all possible.

Beebo is a pedal that gives you the power of a modular synth in an easy to use touch screen format. If you want great live tools, to push the boundaries of sound design, capture real spaces or simulate a sitar, it's all possible.

6 in 8 out, all CV & audio capable plus MIDI IO. 30 hp.

It currently contains 97 different modules. if you want effects, the phasers, flangers, bitmangle, freeze, granular, filters, powerful LFOs, time stretch, turntable stop, step sequencer, twist delay, VCA, wavefolder, quantiser, attenuverter and more will cover it.There’s some very powerful modules including a granular texture synthesiser, a 16 model macro oscillator voice and a meta modulator with 7 blendable signal combining algorithms including ring modulation, comparators and cross folding.

Verbs answers an age old question. Would your guitar (or synth) sound good in the Pantheon of Rome? Or a nuclear reactor hall, a cave, a neolithic tomb, the London Palladium? The answer is yes

Der RME 12Mic ist ein fernbedienbarer 12-Kanal-Mikrofonvorverstärker mit kompromissloser A/D-Wandlung, integrierter AVB- und MADI-Konnektivität und einer Vielzahl von Funktionen, die ihn zu einem perfekten Begleiter für jede professionelle Aufnahme machen.

Diese kabelgebundene Fernbedienung wurde für einen direkten Zugriff auf die meist benötigten Funktionen und Befehle von TotalMix FX entwickelt, als unverzichtbares Hilfsmittel in der täglichen Studio-Praxis. Die extrem flexiblen Konfigurationsmöglichkeiten vereinfachen den Arbeitsablauf und erhöhen den Nutzen des RME Interfaces in den meisten Anwendungsfällen deutlich.

Das neue Digiface AES ist ein professionelles, bus-powered USB 2.0-Interface mit 14 Eingängen und 16 Ausgängen, das zusätzlich zu den digitalen I/Os über 2 analoge Mikrofon-/Line-Universaleingänge und 4 analoge Ausgänge (2 XLR, ein Klinkenstecker) verfügt. Mit seinen hervorragenden digitalen Anschlussmöglichkeiten, SteadyClock FS, vollem Stand-Alone-Betrieb und eingebautem parametrischen EQ ist das Digiface AES die perfekte All-in-One-Lösung für die Aufnahme und Wiedergabe digitaler und analoger Quellen, sowie flexibles Playback/Monitoring über TotalMix FX.

Dieses besonders kompakte, portable Audio-Interface (nur 220g leicht) ermöglicht das Überspielen digitaler Audiodaten in Windows- und Mac-Computer.

Dank modernster Plug & Play Technologie gestaltet sich die Installation auch für den unerfahrenen Anwender sehr einfach. Zahlreiche einzigartige Merkmale wie auch RMEs robuste Treiber ermöglichen einen schnellen, effizienten und komfortablen Einsatz des Digiface USB.