The Avalon VT-737SP features a combination of TUBE preamplifiers, opto-compressor, sweep equalizer, output level and VU metering in a 2U space.

Midihub is a stand-alone MIDI event processor, router & MIDI interface. Using the Midihub's Editor you can set it up to process MIDI messages in any way you want!

The B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.

The Chandler Limited TG12345 MKIV equalizer is a handmade, fully discrete, mono, single space module, designed for the 500 Series format.

The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.

The product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world. With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time… if not THE best selling. A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.

Arguably the coolest and most unique device in the Empirical Labs arsenal, the FATSO (Full Analog Tape Simulator and Optimizer) is a digitally controlled analog device that gives musicians and engineers easy access to many of the desirable characteristics exhibited by older tube and Class A electronics and magnetic tape mediums. This two channel audio processor musically integrates frequencies and transients, increasing the apparent volume while keeping tight control over peak levels.

In today’s modern age of digital recorders, DAWs and software plug-ins, Mike-E is the ultimate solution for getting a clean and strong, yet warm and musical signal into the box…and it couldn’t be easier to work – its front panel layout is so straight ahead that even inexperienced engineers will have no problem moving around on it right away.

As with ELI’s other signal processors, the Lil FrEQ Equalizer takes a somewhat unique approach to its job. Instead of daisy chaining several equalizers and frequency processors, we combined most of the sound sculpting tools an engineer needs into a compact single rack space box, while still offering the highest performance of any design in its class.

Auch in Zeiten von USB, optischen Verbindungen etc. kommt die gute alte MIDI-Schnittstelle nicht aus der Mode und benötigt ab und zu kleine Helfer wie diesen aktiven, ultraschnellen Achtfach-Splitter, eine sog. Thru-Box.

The PULSE16 converts 16 x 16 studio-grade balanced analog inputs and outputs up to 96kHz to ADAT I/O. As a cost-effective and mature interface, ADAT is already available almost everywhere – so expanding your studio with the PULSE16 by 16 x 16 analog channels is done in a few steps.

The multiclock can be the main clock generator or synced to external MIDI, DIN sync and Analogue clocks. Synchronization of the multiclock to a DAW relies on a sample accurate audio clock, which allows for rock solid sync signals.