Aktive Filter
Expressive E Osmose
Expressive E, in collaboration with Haken Audio, releases Osmose, the new standard for musical expressivity. This standalone polyphonic synthesizer unlocks new ways to control sound with familiar gestures (press, bend, shake, & more). It features a deep sound-design engine and hundreds of ready-to-use, innovative presets. It also functions as a powerful controller for hardware & software synthesizers.
Expressive E Touché
Touché ist ein neuartiges Instrument, das Ihnen eine ganz neue, innovativ-taktile Herangehensweise an das Spielen mit Ihren Hard- und Softwaresynthesizern eröffnet. Durch einfache oder komplexe Berührungen und Gesten auf der Echtholz-Oberfläche von Touché gestalten Sie Ihren Sound mit einer unmittelbar-körperlichen Qualität, wie man sie sonst nur vom Spielen an akustischen Instrumenten kennt. Touché kontrolliert Ihre Synthesizer dabei über vier Bewegungsdimensionen, die wir Shiftings nennen.
Expressive E Touché SE
Touché SE shares the same build quality, patented mechanism and sound library as the classic Touché, refined with USB-only connectivity for software applications, and a new polycarbonate touch-plate. Expressive-E have expanded the sound library to include more than 200 factory sounds, pre-mapped to take full advantage of Touché SE's extensive control capabilities, as well as including more than 200 presets for third-party VST instruments.
Joranalogue Add 2
To any new modular system owner, the need to easily combine different voltage sources quickly becomes apparent. While a mixer is the obvious solution, these modules are not suitable for adding precise pitch control voltages (CVs) since the channel gains can not be set exactly to unity.
Joranalogue Bias 2
An indispensable utility module, Bias 2 provides a compact yet precise solution to quickly interface signals between modules within a Eurorack modular system, without interrupting your creativity.
Joranalogue Compare 2
Compare 2 besteht aus zwei Fensterkomparatoren, die eingehende Spannungen mit flexibel verschiebbaren Minimal- und Maximalwerten vergleichen.
Joranalogue Contour 1
For decades, the voltage controlled slew limiter has been a staple of modular synthesisers. With its extreme versatility, it can be used to slew control voltages (CVs), create envelopes, as a low-frequency or audio oscillator and much more.
Today, Contour 1 brings a fresh approach to this classic circuit. It delivers much improved performance and control by incorporating modern design techniques.
Joranalogue Delay 1
Delay 1 is a fully analogue BBD-based delay module with a multitude of features geared towards modern musical use. An integrated temperature-compensated, high-frequency voltage controlled oscillator (VCO) provides the ‘clock’ signal necessary to drive the delay line within 1 to 50 ms.
Joranalogue Enhance 2
Moving from mono to stereo sound: a logical progression for any synthesist looking to expand their sonic palette. Making use of two audio channels, rather than just one, quite literally adds another dimension to the capabilities of a synthesiser.
Joranalogue Filter 8
Filter 8 ist eine voll spannungssteuerbare OTA-Multimode-Schaltung, die man auch als Acht-Phasen-Sinusoszillator, VC-LFO oder Percussion-Stimme verwenden kann.
Joranalogue Fold 6
Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.
Joranalogue Generate 3
Joranalogue Link 2
'Multiples' are the classic solution to a common problem in modular synthesisers: how to distribute one output signal to multiple inputs. Simple passive multiples consist of several sockets, wired together.
Joranalogue Mix 3
Mix 3 liefert ein überaus sauberes, natürliches Klangbild mit exzellenter Übersteuerungsfestigkeit. Das Modul verfügt über insgesamt vier Eingangskanäle.
Joranalogue Morph 4
Modulation is the core concept of modular synthesis: parameters changing over time, adding movement and musical interest to what would otherwise be merely static sounds. Being able to control the amplitude of signals throughout a patch is therefore essential, and one can never have too many voltage controlled amplifiers (VCAs).
Designed as a fully-featured modulation hub for Eurorack synthesisers, Morph 4 takes the basic concept of the multi-VCA module to the next level.