The Ch.Svr music synthesizer module is a small utility module, offering several channels of signal-processing that will be useful in just about any modular system. As a condensation/extension of the sum/offset/attenuversion aspects of MATHS, it continues the great tradition of sculpting the control signals we use to sculpt our sound signals.

Make Noises langerwarteter DPO (Dual Prismatic Oscillator) ist ein doppelter analoger VCO mit internen, vielfältigen Modulationsmöglichkeiten, FM, Wavemultiplier und so weiter. Von der Grundidee von Haupt- und Modulationsoszillator mit interner FM orientiert er sich grob am Buchla 259 Dualoszillator.

The Dual Stereo Gate (DXG) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon, and other stereo modules by Make Noise or others. 

The Mimeophon music synthesizer module is a stereo, multi-zone color audio repeater by Make Noise and soundhack, coded by Tom Erbe.

Experimenteller Sampler – Morphagene kombiniert virtuelle Tonbänder nebst klassischen Schnitttechniken mit modernen Granular-Algorithmen, um Sound zu prozessieren. Klänge und Geräusche lassen sich mit wenigen Handgriffen aufnehmen, zerteilen, schichten und neu arrangieren. 

Pressure Points is ein Controller, bei dem man durch das Berühren einer von vier Kupferflächen unten am Modul eine von vier Stufen zu je drei einstellbaren Spannungen auswählt und aktiviert. Durch das Berühren wirst du ein Teil der Schaltung.

The PrssPnt music synthesizer module is a controller in which several signals are generated by touching the printed copper wire at the bottom of the instrument.  Touching PrssPnt, you become part of the circuit, generating a total of four simultaneous signals (two CV, two Gate). 

The Make Noise/soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touché, but it takes a physical form more resembling the classic analog dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.